I always love interviewing debut authors. I once heard Judy Blume say that she loves reading debut books because it’s the first time she gets to know a new voice, and I can’t agree more. It’s very exciting. So that’s why I’m excited to go behind the spooky scenes of the debut middle-grade novel SUMMER OF L.U.C.K. with the book’s author, Laura Stegman.
Laura is a Los Angeles-based author and arts publicist. She loves reading, L.A. Dodgers baseball, classical music and theater.
SUMMER OF L.U.C.K. tells the story of three kids who meet at a summer camp. When they hear mysterious calliope music coming from an abandoned warehouse, they sneak inside and discover that it bursts into a magical carnival. They meet a ghost called Leroy Usher, who asks for their help convincing his family to restore the carnival to its former glory.
Sounds spooky! SUMMER OF L.U.C.K. is out now from INtense Publications and a sequel is coming out in 2021.
What was your inspiration for this book?
By way of background, Summer of L.U.C.K. is about three kids finding their way to self-acceptance with the help of a ghost who haunts a magical carnival. It was inspired by my favorite middle grade book, The Diamond in the Window, whose 11-year-old main character was the same age as I when I read it. She had freckles, like me, and, she hated her freckles. So did I. But this character learned to accept her freckles — and herself. Not only was it one of the first times I recognized myself in a book, but it also made me feel like I wasn’t so alone. Decades later, this book still spoke to me so powerfully, which moved me to write Summer of L.U.C.K. I hope it will mean as much to readers today as The Diamond in the Window meant to me.
What’s the best part of writing about ghosts and ghostly carnivals?
Writing about ghosts exercises my creativity because there are no limits to what I can come up with. It’s fun to devise whatever wild, magical elements and rules I can imagine. And threading those elements through real-life lessons about friendship and perseverance was a thrill. For example, Summer of L.U.C.K.’s three kids struggle with speaking in some form or another – one stutters, one is just learning English, and the third simply stops talking. So when the ghost, who can’t rest until his family is reconciled, needs their help, he grants them power to communicate telepathically. As a result of helping the ghost and his family, the kids learn to find their voices. To create L.U.C.K.’s ghostly carnival, I started with memories of the amusement parks I visited with my family as a kid. Then, I built on those. Though L.U.C.K.’s rides and games don’t exist in real life, I wish they did!
Do you have any real life ghostly experiences?
Interesting question! The answer is, “Not really,” but I’ll tell you this. My Dad passed away in October. Even though he was very old, it was a bit sudden and unexpected. For the first week or so, I “chatted” with him via “Dear Dad” letters. Every night, I wrote to him about what was going on and how much I missed him. In one of the letters, I asked him for a sign. And a day or so later, as I was falling asleep, I got something that I’ve chosen to interpret as that sign. This “ghostly” process was really helpful in transitioning from my dad’s and my daily phone calls to saying goodbye.
What’s your best spooky writing advice?
Establish the rules for your readers so they’re very clear. Then let your imagination run wild!
Great advice! Find SUMMER OF L.U.C.K. at Bookshop.org, or buy from Children’s Book World for an autographed copy with an official bookmark.
Samantha M Clark is the author of THE BOY, THE BOAT, AND THE BEAST and the upcoming ARROW (both published by Paula Wiseman Books/Simon & Schuster).
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