Spooky Writing Tips for Kids

This week, I asked three spooky middle grade authors to share their favorite writing tips for kids. Hopefully these quick tips will help add that extra dash of creepy to your next terrifying tale.

S.A. LARSEN

Use all five senses when writing your scenes. But don’t stress about it. Just close your eyes and imagine what your character smells, feels or comes in contact with through touch. Reach your character’s arms out to let an imaginary breeze sweep along their skin. Have your character take a deep breath and almost taste the dying moss clinging to the trees. Playing with the senses from a creepy point-of-view is so fun in spooky stories!

SAMANTHA CLARK

Keep up the intrigue by dripping details into a scene, each one getting scarier than the last. And don’t forget to use all the senses. Maybe first they hear a howl in the distance. Then smell something dark and musty. Then feel drool drip down their neck…

CYNTHIA REEG

To help me get in the spooky mood for writing my monster stories, I brainstorm creepy vocabulary words before I start writing. Divide a paper into categories for the 5 senses–Sight, Sound, Smell, Taste, Touch. See how many words you can think of for each sense. Even if you don’t use each of these words in your story, it will help set the tone for your writing. Scary on!

Thanks Spookies!!! I hope these tips help you add a little bite to your spooky story repertoire.

 

Spooky Author Pets

Here at spookymiddlegrade.com, our pets play a big role in our writing. I asked a few #SpookyMG authors to share stories about how their pets impact their writing.

Kim Ventrella & Hera

Yes, I had to put my dog first 😛 because she’s just too darn cute and she’s been a huge influence on my writing!!! True story, I wrote Skeleton Tree while sitting in a dog bed, while Hera sat on the couch behind me looking over my shoulder. She was basically my first editor, and she gave up her bed so I could have a comfy seat.

She also inspired me to write a story with a dog best friend, i.e. Bone Hollow, and that book is actually dedicated to her 🙂 She’s totally different from Ollie, though, Gabe’s best friend in Bone Hollow. Ollie has a wiggly, carefree spirit, but Hera is a total ball of nerves. She has a major phobia of people and other dogs. Example: when I first brought her home, I had to carry her outside, and if she saw someone walk past the window of their condo (inside) from 200 yards away, she would race back to our house shaking. It would take her 20-30 tries before she could get up the courage to pee. Now, she’s way braver and more comfortable in her environment, but she’s definitely a one-person dog.

Kim Ventrella is the author of Skeleton Tree (2017) and Bone Hollow (2019), both with Scholastic Press. She’s also a contributor to the New Scary Stories to Tell in the Dark anthology coming in 2020 from Harper Collins.

Tania del Rio & Boba & Max

I have two dogs named Boba and Max. Max is a Chihuahua mix about 10 years old, and Boba is a 9 month old corgi puppy.

Max is usually content to lay at my side while I write and it’s nice to have her act as my little personal space heater on cold or rainy days. She’s got really soft ears that I like to pet whenever I’m stuck on a scene and need a moment to think. She’s the “pawfect” writing buddy!

Boba, on the other hand, has a lot of energy and gets jealous of my computer. If I’m not paying attention to him, he lets me know it by crawling onto my lap and getting in the way! He also likes to bark in my face- rude! It can be a bit challenging to get anything done with him around, so I try to take him on a long walk or visit the dog park so that he’ll sleep for a few hours while I work.

Even with the distractions, it’s nice to have pets to keep me company while I write and I wouldn’t have it any other way!

Tania del Rio is the author of Warren the 13th and the All-Seeing Eye and Warren the 13th and the Whispering Woods.

Jonathan Rosen & Parker

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My dog, Parker, is a three-year-old rescue, who we find to be the sweetest dog ever. He’ll usually curl up on the couch next to me when I’m writing. I’ll run ideas by him, and he points out whether or not there are any plot holes. He’s good like that. But mostly, he helps me because whenever I want a break, or am stuck on something, I turn around, pet him, and he basically lets me know that I’m doing okay.

Jonathan Rosen is the author of Night of the Living Cuddle Bunnies and From Sunset till Sunrise.

Patrick Moody & Wicket, Nym & Zelda

I decided to do a critter photo shoot. As you can see, Wicket the hedgehog is a little shy. He’s often rolled up into a little defensive ball of spikes. And even after two years, our cats still don’t know what to make of him. Nym, our black cat, is a serious cuddle bug (and deceptively hefty). She’s usually stalked around the house by our youngest, Zelda, whose quite the handful. I have a theory she’s part squirrel! She loves her big sister, as you can see by the kiss! These three keep me company when I work from home, never far from my keyboard.

Patrick Moody is the author of The Gravedigger’s Son.

S.A. Larsen & Sadie, Molly, Chloe & friends

This is Sadie, my newest writing pup (on the right)! With her being so active I’ve had to move to the kitchen area to keep an eye on her while I write. Makes for an interesting word count . . . and sometimes not much! 😁

The photo collage is of our fur babies that have been with us a while. Molly the cat is my true writing feline, though. She insists on sitting in my lap while I write when I’m in my office. And Chloe is the jokester of the group. I have a video of her literally dancing on my desk and laptop while I was listening to music and writing. Super cute! 🐾

S.A. Larsen is the author of Motley Education and Marked Beauty.

Jan Eldredge & Mr. Bingley

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This is Mr. Bingley. We’re in constant competition over who gets to claim the desk chair or the top of the desk. Mr. Bingley usually wins. He has also laid claim to my spooky fairytale wallpaper, and he loves to rub against it. This would not be a problem, except it’s a flocked wallpaper, and his yellow fur clings to it like magnets to steel. As a result, a small portion of my daily writing time has to be spent vacuuming my wall.

Jan Eldredge is the author of Evangeline of the Bayou.

Janet Fox & Kailash

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This is Kailash. He’s about 5 years old now, and super friendly and like all Labs he still has a lot of puppy in him. In fact, getting him to sit still for this photo took a bit of wrangling.

He’s too big to get up on my desk (thank heavens) but he’ll occasionally try to crawl into my lap as I’m working. Mostly he is a walking companion, and I walk to get ideas so he’s a great help there.

We’ve never not had a dog for more than a couple of months. And at times a guinea pig or two, a rat or two, and a horse. We’d have a cat but our son is very allergic. But we love Kai. He’s got a big heart and loves everyone.

Janet Fox is the author of The Charmed Children of Rookskill Castle.

Cynthia Reeg & Holly

SkeletonDog Holly

Sadly my dog Holly recently journeyed to dog heaven. She was a constant companion, always ready with ideas and the ability to find perfect napping spots in my office. I can still hear her barks of encouragement, and I know there will be a very special dog in my next spooky story.

Cynthia Reeg is the author of From the Grave (Monster or Die) and Into the Shadowlands.

Angie Smibert & Stella, Maggie, Brick & Hubble

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Here’s a graphic of my editorial “staff” – Hubble, Maggie, Brick, and Stella.  All of them are rescues. I have a two-year-old Lab mix named Hubble (yes, as in the telescope. I am also a space nerd.). He’s a foster fail, btw. I fostered him for the SPCA two summers ago, fully intending to keep him. Maggie (tortie) and Brick (gray) are about 8 1/2, and I got them together when they were just 8 weeks old–also from the SPCA. I picked Maggie out, and then Brick grabbed me from the next cage. They bicker just like the Tennessee William’s characters they’re named for. Stella is the most recent addition. About a year old, give or take, she was living under the porch of the empty house next door. I, of course, was feeding her on my porch–and when the weather turned really, really cold, she got very friendly, and dammit, I took her in. She is a petite sweetie who’s quite happy she adopted me.

More often than not, my guys distract me from writing since I work at home. My previous dog, Bridget, did inspire the dog in Memento Nora! As an animal lover, I tend to give my characters pets. Uncle Ash–in the Ghosts of Ordinary Objects series–has three dogs, all named after beaches in the Carolinas, who follow him everywhere. Plus the third book of the series will feature a ghost dog.

Angie Smibert is the author of Bone’s Gift, Lingering Echoes and other books for young readers.

Happy Book Birthday: The Phantom Hour by Kat Shepherd

I am super excited to welcome our very own Kat Shepherd to the blog!!! Her new book, THE PHANTOM HOUR, releases today!! I recently had a chance to chat with Kat about her new book, a brand new mystery series and much more.

Q: You have a passion for animals, traveling and the outdoors, among many other interests. How have those passions found their way into your writing?
 
A: Like any author, I pull a lot from my own life to put into the stories I write. Lots of my characters are based on former students of mine or other people I know, but there’s always a little bit of me in there, too. In the newest Babysitting Nightmares book, THE PHANTOM HOUR, Clio shares my passions for travel and history and glimpses into the past. And in Book 2 we’ll meet Ethan, who has a really strong connection with animals. I train and foster dogs, so I really wanted to put a character in the series that reflects my own bond with animals.
 
Because I write suspense, I rarely put pets in my scary books, and there’s a really good reason for this. Anytime I see a pet in a scary movie or book, it immediately distracts me, because I get so worried that something is going to happen to it. (I blame Stephen King for this. Animals rarely fared well in his books!) So I intentionally avoid putting pets in, because I don’t want my readers worrying about them like I always did. But in PHANTOM HOUR I couldn’t resist bringing back my favorite dog, Wesley. He passed away in 2013, and I miss him every single day, so it was wonderful to get to write about him and see him come alive on the page. It was a little like getting to spend time with him again.
 
Q: Tell me more about microphilanthropy. Does it ever crop up in your books? How can readers get involved?
 
A: It’s important to me that my protagonists be kind and show compassion and generosity. Not because I’m trying to teach some big lesson to kids or anything, but because I have to spend a lot of time with my characters, and I don’t really like to be around people that aren’t kind or compassionate. Generosity and compassion are driving forces in my life; they absolutely give my life direction and purpose. That’s not to say that I am this supremely generous and compassionate person, but those are the qualities I am continuously striving toward. Failing to get there a lot, but always trying.
 
One of the biggest challenges of my life was that I have always wanted to be this great philanthropist, but I don’t really have any money. So in trying to figure out how to give meaningfully when the size of your wallet doesn’t match the size of your heart, I started pursuing a concept I call microphilanthropy. It’s based on the idea that you don’t need a lot of money to make positive, measurable change in your community. You just need people.
 
Basically, it’s crowdfunding, but rooted in the community. I find local organizations that need small, concrete projects funded: a science club at the library, blankets for the zoo’s chimpanzees, emergency rental assistance to keep a family from becoming homeless. Each project costs anywhere from $100 to $1200. Then I throw a party and invite the organizations to come a pitch their projects to my party guests. Then everyone at the party puts whatever money they can spare into jars we set up for each project. At the end of the night we count up and distribute the money, and the organizations go on to fund their projects. The average donation about $10 or $20 per person, but when you pool that money together, it makes these incredible things happen.It creates a really strong connection between people and their communities, and it feels really powerful to see that you made something amazing happen. The best part is seeing the excitement on my guests’ faces when they realize that they are the reason the library has a science club now, or a family didn’t lose their home. It wasn’t some rich person who did that. It was us.
 
I actually just wrote up a little how-to guide for folks who want to throw their own microphilanthropy party. They can email me at my website katshepherd.com, and I’m happy to send it over or help them strategize.
 
Q: What should readers expect from Book 2?
 
A: While Book 1 of Babysitting Nightmares took the girls into the Nightmare Realm, Book 2, THE PHANTOM HOUR, feels a little more grounded in this world. Clio gets a job babysitting for the Lee family, a new family who has moved into an abandoned old mansion at the edge of town. The Lees are lovely, and Clio is thrilled to get the chance to explore the old mansion… until she starts to realize it may be haunted. Luckily Clio has help from her friends and Aunt Kawanna, and she also gets some unexpected help from her new friend, Ethan, who has a few secrets of his own. Readers should expect a spooky ride of suspense, thrills and chills as Clio works to unlock the mansion’s mysteries before it’s too late.
 
Q: Are any of the thrills and chills from BABYSITTING NIGHTMARES based on real-life experiences?
 
A: Several generations of women in my family have had regular contact with ghosts. Ethan’s Great-Grandma Moina is based on family stories, but I made her backstory a lot more exciting than my own family’s. For my own great-grandmother ghosts very matter-of-fact and not at all mysterious; they were just around all the time. It was much more fun to make Moina a glamorous, professional medium who performed big, showy seances! To figure out how to do that I did a lot of research on the Spiritualist movement and the history of psychic mediums in the US. I even went to a seance in an old Victorian mansion! What I learned was that there were lots and lots of seances back then, but not a whole lot of ghosts. The magician Harry Houdini helped prove that most of the so-called mediums were faking it and using tricks and illusions to fool people into thinking that they were seeing and talking to ghosts. I’m not sure if I was disappointed or relieved to learn that!
 
Like the house in PHANTOM HOUR, my own house was vacant before we moved into it. We are only the third owners, and the last person who lived there was a woman who had lived there for 40 years. After she died her daughter held onto the house for another decade because she couldn’t bear to give up something her mother had loved so much. So we felt a little worried when we moved in that might find her ghost hanging around.
 
A few months after we moved in I went to bed early and my husband was still awake. For some reason he always keeps his dress shoes on after work, and it can be annoyingly loud when he walks around the house. I was awakened by his footsteps in the middle of the night, and I was super irritated that he hadn’t taken off his shoes. But then I rolled over and my husband was asleep next to me! I woke him up, and we both heard a man’s footsteps walking through the house. Our burglar alarm had been set and our dogs were sleeping peacefully, so we knew it couldn’t be an actual person. For some reason nothing about it felt scary at all, and we just went back to sleep. Our house was built by a judge, and we wonder if it was his otherworldly footsteps we heard. So we did end up having a ghostly encounter, just not with the ghost that we expected!
 
Q: What advice do you have for young fans who may be interested in writing their own stories?
 
A: I think one of the best things writers can do is to read a lot. Reading helps give you an instinct for story and language; you learn by seeing how other people do it. I also think it helps to read critically, with the eye of a writer. Read for enjoyment, but then take a minute to think about why you loved the story and what made it so good. Then think about those moments that weren’t so good. Did the story drag? Were there parts you got bored, or the action moved too fast? Reading like a writer is a big part of how I developed my own storytelling style and voice.
 
The other big part of writing your own stories is to WRITE THEM! Put them in a notebook, get a cool journal, or learn to type and store them electronically. If you’re excited to write but feel stuck for ideas, sometimes fanfic is a really fun place to start. Think of your favorite book and write a sequel, or choose a character from a book you love and put them on a new adventure. Create a mashup of your two favorite series. What would happen if the characters met? Spooky stories are also a great way to get started, because it automatically puts your writer’s imagination into overdrive! I teach a spooky story writing workshop, and I’m always happy to email aspiring writers the ideas and exercises I use to get started.
 
Once you get your stories down on paper, make sure you share them! Writers need readers. Ask your friends and families to read your work and share any moments where they got confused or needed more description, as well as those parts that made them laugh or jump out of their seats. Take that feedback and use it to make your story really sing. Writing a first draft is important, but revising is where the magic really happens. Most writers I know absolutely love to revise, because it lets us forget all the nitty-gritty and just focus on making the story the best that it can be.
 
north starQ: What can readers expect next from Kat Shepherd? I hear you may have a new mystery series coming later this year?
 

A: I have a new mystery series The Gemini Mysteries, that debuts on March 5 with THE NORTH STAR. I have been a huge mystery fan for as long as I can remember; so much so, in fact, that I have a mystery-themed tattoo sleeve that continues to evolve as I add more favorites to it. One of the things I loved most about mysteries is the interactive experience of reading one. You’re constantly taking in information, evaluating, predicting, and then re-evaluating based on a changing landscape of clues. So exciting as a reader, and such a great tool as a teacher! This series is especially fun because there is a picture at the end of every chapter with a clue hidden in it, and the reader gets to work alongside the detectives to find the clues that lead to the next step in the mystery.

 
It’s been fun for me, because Babysitting Nightmares and Gemini Mysteries are so different, but there is a lot of crossover between mystery and horror. I like to write fast-paced adventures with a little bit of humor and lots of suspense, and I think both series allow me to do that. I hope my readers will have as much fun reading them as I have writing them!

DEFEATING YOUR FEAR OF WRITING

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“Fear is a steal trap,” Gran advises Evangeline, the heroine of my debut middle grade novel. EVANGELINE OF THE BAYOU is the story of twelve-year-old Evangeline Clement, a haunt huntress apprentice studying the ways of folk magic and honing her monster-hunting skills. As soon as her animal familiar makes itself known, the only thing left to do is prove to the council she has heart. Then she will finally be declared a true haunt huntress. Of course, things do not go as planned for Evangeline. And when she and her grandmother are called to New Orleans to resolve an unusual case, she must summon her courage to defeat a powerful evil that’s been after her family for generations.

Gran goes on to warn Evangeline, “Fear keeps you from moving forward. It binds up your courage as well as your smarts.” These wise words of Gran’s hold true for nearly any situation we encounter, whether it be hunting monsters or writing essays.

As the leader of a local writers group for the past dozen years, and having been a member of numerous critique groups, I’ve learned that one thing we creatives all have in common is fear. And we have a lot of them, like: showing our writing to family and friends, getting our work critiqued by other writers, not knowing how to begin our stories, not knowing how to end our stories, or not being able to come up with any new ideas. But one of the most common fears I’ve seen is that of simply getting started, rallying the courage to just jump in and begin the writing of that novel, memoir, or short story. I call it “freezing on the high-dive”. Taking that initial leap can be scary, but it doesn’t have to be.

After discussing this topic with numerous fellow writers over numerous coffees and teas, I’ve come to suspect this particular fear stems from the mistaken belief that we have to get our words right the first time, that somehow a perfect stream of brilliance must flow straight from our head and onto the blank sheet of paper. This unrealistic expectation can lead to a lot of frustration and writing resistance. Fortunately, there are a few easy techniques writers of any age and any writing level can incorporate to defeat their fear of writing and get their words moving forward. These simple tips can be applied to everything from the writing of novels and essays, to the writing of thank you notes.

The first step is to think of the writing process as one that uses two distinct parts of your brain: the creative side and the editorial side. Going into a project while trying to use them simultaneously is when many of us run into trouble. The two parts do not play, or work, well together.

Once you’ve accepted the fact that you’ve essentially just carved your brain into two halves, the next step is to hush that editorial side. Reassure it that it will have its turn to make corrections and clean things up later, but for now it’s Creative’s turn to play. Allow your imagination to run wild and free. Let go of rules and logic. There are no right or wrong ideas in this phase of your project. Don’t worry about choosing the perfect word, and don’t worry about things like spelling and punctuation. That’s Editor’s job for later on.

If you’re still having trouble coming up with ideas, here’s another helpful tip: just start writing. Write anything, even if it’s simply the words, “I don’t know what to write.” There’s something almost magical about the act of putting pen to paper, or fingers to keyboard, that gets the creative tap flowing. Taking away all those expectations of perfection will conquer that fear of not being able to think of anything to write.

Now that you’ve got some great ideas and images, and maybe even some really cool lines of dialogue, let your creative side take a rest. This is the time to set your internal editor free. Allow it to get to work picking and choosing what elements to use, what order to put them in, and making sure the grammar, spelling, and punctuation are all up to snuff.

This is the technique I used while writing EVANGELINE OF THE BAYOU, and I’m using it now as I work on the sequel. Keeping the creative half of my mind separated from the editorial half has helped me defeat my fear of just diving into the writing. It’s helped me overcome my worry that my writing is too sloppy, nonsensical, and filled with mistakes. I know that by setting my creative side free to do what it does best, it’ll provide me with fun, fresh, and unexpected ideas. Sometimes it delivers more ideas than I can use, or ideas that are in need of further research and tweaking, but that’s okay, because I know I’ll soon be unleashing my editorial side to make my words all shiny and clean.

Photo by rawpixel.com on Pexels.com

Right In the Funny Bone: Why Spooky and Funny Are A Natural Fit

If you haven’t done it yourself, you’ve seen someone else do it. They reach a scary moment in a book, or a jump scare in a movie, or even stumble upon a prankster who jumps out at them from behind something– and instead of screaming, they burst out laughing.

boy in black v neck shirt with looking straight to the camera with a shocking face expression

What is it that makes us laugh when all signs point to “AHHHHHH?” Scientists have a handful of theories:

Some say it’s a sort of peace offering– an instinctive reaction to confrontation. Laughing shows we’re not looking for a fight, so whatever’s coming at us will hopefully back down and go away.

Others suggest that laughing is a way to manage our fear. When we laugh in the face of danger, we’re trying to convince ourselves things are less dire than they seem.

But my favorite explanation (and the one that makes the most sense in connection with scary stories) is that laughing when we’re afraid or crying when we’re happy actually balances us out emotionally.

Speaking as a reader, one of the things I love most about middle grade is the way our main characters are centered in their family and community– I draw deep satisfaction from the inherent wholeness and balance of middle grade worlds. As a writer and lifelong smart aleck, shared humor is one of my favorite things to write; to me, it’s a sign of a close, happy community. I can’t imagine penning a family or town where people don’t joke, tease, and mildly snark.

child in blue and yellow jersey shirt with the two other kids
Photo by Snapwire on Pexels.com

As you read this, you might be thinking, “Wait a minute. It’s conflict, not happiness, that drives a story. Especially a spooky story!” You’re right, of course. But it’s also important to remind the reader what your characters are fighting for. Shared humor reinforces a sense of belonging and reminds us what we like about certain characters. Conversely, humor meant to embarrass or bully someone hardens our hearts against a villain.

Wisecracks are also the perfect opportunity to illuminate individual personalities and relationships between characters in a “show, don’t tell” way. For example, when a group of kids has to cross dangerous territory, a competitive best friend or sibling might say, “Hey, your shoe’s untied!” in order to get a head start. The competition between the characters gives them the courage to face the peril.

On the other hand, a nervous friend who’d rather be at home under the covers is more likely to resort to gallows humor, like, “It’s my night to feed the dog. He’s going to be seriously crabby when I die and his bowl is empty.” How other characters respond to this joke will be revealing. Are they impatient? Reassuring? Or do they toss another joke right back?

If you love writing stories with lots of scares, laughter can also provide some much-needed contrast. I adore a runaway horror story as much as the next spooky author, but like true joy, intense fear is hard to sustain. Worse, fear actually gets exhausting after a while. Raise your hand if you write to exhaust your readers. No? Then consider providing moments of levity to give them a break.

This is all well and lovely and I mean every word, but don’t be fooled– I’m no altruist. There are lots of upbeat reasons to put some banter in your book, but you can also use laughs to trap the unwary. I love to use humor to lull my readers into a false sense of security. Then, when it’s time for the next creepy moment, I’ve got them exactly where I want them! So, if you haven’t tried mixing jump scares with jokes, I highly recommend it. You don’t have to be a serious person to deliver some serious scares!

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About the Author
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Sarah Cannon, author of Oddity, has lived all over the U.S., but right now she calls Indiana home. She has a husband, three kids and a misguided dog. Sarah holds a B.S. in Education. She’s a nerdy knitting gardener who drinks a lot of coffee, and eats a lot of raspberries.

She is probably human.

Find her on Website | Twitter | Facebook

Spooky Stories All Year Round

There are many different types of spooky stories. Some feature humor, adventure and straight-up chills, while others explore sensitive topics and tug at readers’ emotions. No  matter what type of story you love, spooky books have a place in the classroom, library and beyond all year round, not just at Halloween. To delve deeper into this topic I spoke to some of today’s foremost authors of middle grade spooky stories.

Jan Eldredge

Why do you write spooky stories?
I guess I write spooky stories for the same reason I love to read them. They allow us an escape to dangerous, exciting worlds, worlds that we get to explore from the comfort of our safe, everyday lives.

Why are spooky stories important all year round?
Spooky stories are chock full of benefits, particularly for young readers! Reading about young protagonists defeating evil can be very empowering for children. Spooky stories can also provide safe ways for kids to explore fear and experience a sense of danger, sort of like trying on a costume to see what it feels like to be someone else for a while. Spooky stories are great reminders that our boring lives aren’t quite so bad after all.

S.A. Larsen

Why do you write spooky stories?
For me, spooky stories are like passageways into the unknown and the misunderstood, mysteries that keep me on the edge of my seat. I’ve always been curious about the great beyond and the aspects of life we can’t see – like what really goes on inside a cemetery when none of the living are watching. Writing spooky tales with otherworldly or ghostly elements gives me the freedom to explore life themes such as the importance of family, self-esteem and confidence, and friendship in new and unexpected ways for young readers.

Why are spooky stories important all year round?
Tales with spooky and eerie elements explore the same important life struggles, hopes, dreams, and challenges that contemporary stories do. They also help kids see that fear is a part of life – fear of change, fear of a new school, fear of taking a test – and helps them see and workout solutions to overcoming fear. These are universal emotions and challenges that can be discussed throughout the year. The possibilities are endless!

Janet Fox

Why do you write spooky stories?
Really, the spooky part of THE CHARMED CHILDREN OF ROOKSKILL CASTLE was accidental! My original idea was more mystery/fantasy, but as I wrote the antagonist she became darker and darker and more nuanced for it. And the darkness of the antagonist reflected something in my own mood, something I needed to sort through. But my son said something recently that was inspired in this regard. He said that he loves dark, spooky stories because that one tiny glimmer of hope within the darkness – even if it’s just a candle – can feel like a brilliant light. And I thought, yes. That’s what I like, too. Magnifying the light in the darkness or the happiness within the spookiness. That’s the secret.

Why are spooky stories important all year round?
I would say that’s why spooky stories are always in season – they offer that recognition that hope flickers brilliantly in the dark.

Samantha M. Clark

Why do you write spooky stories?
I get scared easily when I’m reading spooky stories, but I still love them. Spooky stories get my blood pumping, and I need to know if everything’s going to end safely. When it does, it helps me know that when I’m scared in real life, everything can be okay. So when there’s an opportunity to put some spookiness into my own stories, I jump at the chance. Getting scared can be fun, especially when we know we can always close the book if we need a break.

Why are spooky stories important all year round?
Halloween is, of course, when we celebrate spooky stories the most, but reading spooky stories is fun and good for us at any time. They remind us that it’s okay to be scared, and show us that we can be brave just like the characters in the stories. Eleanor Roosevelt said, “You gain strength, courage and confidence by every experience in which you really stop to look fear in the face. You are able to say to yourself, ‘I lived through this horror. I can take the next thing that comes along.'” And with spooky stories, we can build courage and confidence safely while facing our fears within the pages of the books and with the characters as our guides and companions. Spooky stories help us grow, and that’s a good thing every day.

Jonathan Rosen

Why do you write spooky stories?
I’ve always loved spooky stories. Much more so than horror. I like the creepiness factor of the unknown. What’s there lurking in the shadows? The mystery, to me, is much scarier and interesting, than having the monster actually appear on the stage. Why is the ghost there? What’s the story behind it? How was that monster created? I loved these stories as a kid, and always felt fascinated by them. I like to write to my younger self and kids who were like me.

Why are spooky stories important all year round?
There is no bad time to read scary stories. Yeah, they’re much better to read at Halloween time, but the kids who love them, don’t want to be relegated to one season a year for books. Kids like to be scared, to a degree, but then they know they can put the books away. They’re safe again. I also read a long time ago, and it’s true, spooky stories give kids the consequences of not following rules. Your Mogwai will turn to a Gremlin if you don’t follow them. Your vampire neighbor can get in your house, if you don’t follow the rule about not inviting him in. Spooky stories also open the mind to think of different possibilities. I know when I read them, I always went searching for more. More stories about the subject. I wanted to read about haunted places. The times when the ghosts came from. I think reading leads to more reading.

Kim Ventrella

Why do you write spooky stories?
I have always been interested in the intersection of darkness and whimsy. I love the space where macabre tales meet deeply-felt emotions and discoveries. Adding a spooky element allows me to explore difficult real-life topics in a way that I find more palatable and easier to understand.

Why are spooky stories important all year round?
Spooky stories aren’t just about Halloween. They’re about exploring the mysterious all around us, searching for new possibilities, confronting our deepest fears and stepping out into the darkness to find that courage and resilience that resides within us all.